In last week’s post, I presented the backstory for Randulf, a Lovecraftian warlock in Dungeons and Dragons 5th edition. This is part of a series of blog posts I’m calling “Origin Stories,” in which I’ll present the lore and mechanics behind characters in D&D and other RPG systems. This post will be part 2 of the piece on Randulf, in which I discuss how I translated that backstory into a D&D character
The idea for Randulf came from H.P. Lovecraft, the influential early 20th-century author of “weird fiction.” Lovecraft wrote of ancient alien beings that still threatened and were worshiped by humans. I saw similarities between some of Lovecraft’s cultists and D&D’s warlock; indeed, the PHB’s entry on warlocks even gives Cthulhu (a powerful being Lovecraft created) as an example of a warlock patron. The name Randulf Cardr comes from Randolph Carter, a recurring Lovecraft character who is constantly seeking forbidden knowledge.
Most warlocks are played as fiends or charlatans (charlatan is actually the recommended background for warlock in the PHB). I wanted to play a warlock as a reluctant servant of a powerful being, which was the basis for my character. I thought he could be a bored noble who sought forbidden knowledge and ended up being bound to a Lovecraftian Great Old One. I used this starting point to flesh out Randulf’s backstory, as described in the last post.
Warlocks are kind of a mix of a wizard and a fighter. They have magical powers in the form of pact spells and evocations; the former are chosen from the spell list while the latter are magical effects that can take a variety of forms, such as added damage for spells or the ability to see in the dark. But they also have some fighting ability through armor and weapon proficiencies.
Warlocks are also very customizable thanks to the choice of patron and pacts. Patrons are the powerful beings the warlock is tied to—a fiend, an archfey, or a Great Old One. And pacts are the type of connection one has—Chain (use a familiar), Blade (summon a magical weapon), and Book, which I will discuss below.
I initially wanted to make Randulf bookish, using the Pact of the Book feature. In this customization option, the character gets a book from his patron that grants forbidden knowledge; in gameplay, the character gains several extra cantrips and has the option of transcribing ritual spells using an evocation. This fit my idea of a character who was constantly seeking out lore he should have avoided. But the group needed a front-line fighter, so I tweaked things a bit. I went with the Pact of the Blade. This gave my character a lot of flexibility in front-line fighting, as I could summon any weapon needed and gain proficiency with it. For example, I decided to prepare the stats for a spear, maul (a giant club), and long sword, depending on the situation I encountered.
I decided to be a human, to fit the backstory of a Baldur’s Gate noble. But I chose the “variant human” option, which gives a character boosts to two stats, an extra skill, and a free feat. Feats are customization options that give character special bonuses or powers. And of course I chose the Noble background; this doesn’t give many useful traits for a Warlock, but I liked the flavor. Moreover, as Randulf was trying to be good, but struggled against the chains of his family obligations and was under the spell of a dark power, I thought Chaotic Good would be most appropriate for an alignment.
For stats, I needed a powerful Warlock who would also be good at front-line fighting. So I prioritized Charisma (the warlock class stat, which affects spell attacks), strength and constitution; the last two would help me out as a front-line fighter. And I used my variant human feat to gain moderate armor proficiency and boost dexterity. My lowest stat was Wisdom; while Wisdom is pretty useful, I thought this fit with my backstory of a dissolute noble youth.
For skills, I tried to think of ones that Randulf would have gained through his noble youth and his time with the Harpers. Randulf has skills in Arcana, History, and Investigation; I thought this made sense for someone who spent most of his time searching for lost knowledge. He is also skilled in Persuasion from his noble upbringing, and Intimidation, due to the dark powers he was aligned with. Finally, Randulf is proficient in stealth from his Harper training (unlike the other skills, this is not an option from the Warlock class or Noble background, it is the extra skill gained as a variant human).
For spells, I tried to pick ones that fit with his backstory. I chose Eldritch Blast, basically a missile of arcane force; it’s kind of required for all Warlocks (see this post from the great Harbinger of Doom blog for a criticism of this aspect of warlock design). The rest of my spells were part of a theme of using my mystical powers to manipulate minds and matter. The second cantrip I chose was mage hand, which can be used to move things around or lift them up. I picked a few spells made available by the Great Old One pact that involved mind manipulation: dissonant whispers (which causes the target to take psychic damage and run away), detect thoughts and mirror image (which creates illusory copies of the character to confused attacks). Finally, I chose arms of Hadar, which causes tentacles to appear and attack all close to me; I thought this made sense in terms of extra-dimensional beings breaking into our reality. Finally, for the evocations, I picked agonizing blast—increasing the damage of Eldritch blast—and fiendish vigor, which increases hit points temporarily, making me a better front-line fighter.
And that’s Randulf. I started with my initial idea—a Lovecraftian reluctant warlock—and crafted him according to that backstory and my group’s needs. He was a fun character to play, as I added in occasional touches of madness in role-playing and the flavor of his powers was interesting.